| The Band Wagon | |
|---|---|
DVD cover for The Band Wagon |
|
| Directed by | Vincente Minnelli |
| Produced by | |
| Written by | |
| Starring | |
| Music by | |
| Cinematography | Harry Jackson |
| Editing by | Albert Akst |
| Distributed by | Metro-Goldwyn-Mayer |
| Release date(s) | August 7, 1953 |
| Running time | 111 minutes |
| Country | United States |
| Language | English |
| Budget | $2.2 million |
| Box office | $5.7 million |
The Band Wagon is a 1953 musical comedy film that many critics rank, along with Singin' in the Rain, as the finest of the MGM musicals, although it was only a modest box-office success. It tells the story of an aging musical star who hopes a Broadway play will restart his career. However, the play's director wants to make it a pretentious retelling of Faust, and brings in a prima ballerina who clashes with the star.
The songs were written by Arthur Schwartz and Howard Dietz, and some were created for the original 1931 Broadway musical also called The Band Wagon, with a book by George S. Kaufman and starring Fred Astaire and his sister Adele. (Fred Astaire also stars in the movie.) The song "That's Entertainment!", which Schwartz and Dietz wrote specifically for the film, was a hit and has become a standard. Another song orchestrated by Conrad Salinger, "Dancing in the Dark", is considered part of the Great American Songbook and was from the original Broadway production.
The film was nominated for Academy Awards for Best Costume Design, Color, Best Music, Scoring of a Musical Picture and Best Writing, Story and Screenplay. Screenwriters Betty Comden and Adolph Green, who received the nomination for the screenplay, patterned the film's characters Lester and Lily Marton after themselves, although the fictional characters were a married couple and Comden and Green were not romantically involved.
In 1995, The Band Wagon was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". In 2006, this film ranked #17 on the American Film Institute's list of best musicals.
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Stage and screen star Tony Hunter, a veteran of musical comedy, is concerned that his career might be in decline. His good friends Lester and Lily Marton have written a stage show that they believe is perfect for his comeback.
Tony signs up, despite misgivings after the director, Jeffrey Cordova, changes the light comedy into a dark reinterpretation of the Faust legend, with himself as the Devil and Tony as the Faust character. Tony also feels intimidated by the youth, beauty, and classical background of his female co-star, noted ballerina Gabrielle "Gaby" Gerard. Unbeknownst to him, she is just as insecure in his presence, awed by his long stardom.
Eventually, it all proves too much for Tony. He walks out, but Gaby speaks with him alone and they work out their differences. They also begin to fall in love, though she already has a commitment to the show's choreographer Paul Byrd.
When the first out-of-town tryout in New Haven proves to be a disaster, Tony persuades Jeffrey to let him convert the production back into what the Martons had originally envisioned. Tony takes charge of the production, taking the show on tour to perfect the new lighthearted musical numbers. Since the original backers have walked out, Tony finances it by selling his personal art collection. Byrd walks out, but Gaby remains.
The revised show proves to be a hit on its Broadway opening. Afterwards, Gaby lets Tony know how she feels about him.
in order of appearance[1]
One musical number shot for the film, but dropped from the final release, was a seductive dance routine featuring Charisse performing "Two-Faced Woman". As with the other Charisse songs, her singing was dubbed by India Adams. Adams' recording of the song was reused for Torch Song for a musical number featuring Joan Crawford. The retrospective That's Entertainment! III released the Charisse version to the public for the first time. This footage was also included with the most recent DVD release of The Band Wagon itself.[2]
A musical stage adaptation, titled "Dancing in the Dark," premiered at The Old Globe Theatre (San Diego) March 4-April 20, 2008, with plans to bring the show to Broadway. Gary Griffin directs, with a book by Douglas Carter Beane and choreography by Warren Carlyle. The cast includes Patrick Page as the "deliciously pretentious" director-actor-producer Jeffrey Cordova, Mara Davi playing Gabrielle Gerard and Scott Bakula as "song-and-dance man" Tony Hunter.[3][4][5][6]
In the Variety review of the musical Bob Verini wrote: "There's no reason this reconstituted "Band Wagon" can't soar once it jettisons its extraneous and self-contradictory elements. But "Dancing" is some distance from finding its footing, despite finale's admonition to "Admit we're a hit and we'll go on from there." Not yet."[7]
According to an October 16, 2008 article in Playbill, this musical is undergoing revision.[8]
Michael Jackson in his music video for "Smooth Criminal" pays tribute to the Fred Astaire film in his dance sequence in the 1930s or 1940s style lounge as in the Astaire film where the bar fight takes place. Dancers can be seen doing similar moves as female dancers wear similar designed outfits in Jackson's video. Jackson wears a white suit with a blue collar shirt underneath and a white hat with a black stripe on it paying tribute to what Astaire was wearing in The Band Wagon's finale, "The Girl Hunt Ballet". "Billie Jean's" music video also features similar elements as those of the same number: The storefront scenery through which the paparazzo conducts his manhunt and the animal print cloth he finds for a clue are two very distinct allusions. Using the line "she came at me in sections" for the titular song of his album Dangerous, Jackson notably pays homage to the film on at least three successive albums.
Steve Martin and Gilda Radner perform a seriocomic parody homage to the "dancing in the dark" dance segment on an episode of Saturday Night Live, originally broadcast on April 22, 1978.